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non exclusive music libraries


The number that gets bandied around a lot is 1500 tracks spread out over a number of different libraries both exclusive and non-exclusive. Whereas other libraries claim to be royalty free then require you to report usage and pay performance royalties, Epidemic Sound includes everything; packaging all the legal rights you could need into one simple license. What production music libraries work best for your style of music? This is why many musicians initially decide to work with a non-exclusive music library instead of an exclusive one. We generally don't take a piece of license fees, so 100% come to you. This allows you to retain the full rights to your originally titled song. This is where working with multiple non-exclusives can turn into a big mess…. Semi-exclusive . I look for non-exclusive libraries, in which I can remove songs if necessary. Exclusive Contracts vs. Non-Exclusive Contracts with Music Libraries Posted by mazz on Wednesday, April 14th 2010 This topic has been coming up a lot lately and also I had the opportunity to hear about this from some of the bigger libraries recently and thought I’d weigh in on it. On top of this, again generally speaking, If you're concerned that an exclusive library will own the publishing of your music forever, simply. Non-Exclusive: Alright, the big benefit of being non-exclusive is that you can literally get your music out there, to anyone. What’s going to happen is Company A will receive a royalty for the publishing on a placement they never secured, while Company B will be chasing after a royalty they should have received, but didn’t. Get the facts before you decide. There is some basic understanding of publishing and contracts that's required, but this is, after all, your business and career. You!! Original, vintage Country songs with male or female vocals that were recorded between 1940 and 1979 are needed by a Non-Exclusive Music Library with a ton of credits in Feature Films, TV Shows, and TV Commercials. But the main idea with the non-exclusive ones would basically be... well, you go to some of them and listen to some of the tracks and some of them don't sound very good. In the rest of this post, I will explain the essentials (exclusive versus non-exclusive deals, synch fees versus performance royalties, the role of music libraries, etc.) Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. The real truth is that this is a long game business that requires patience and persistence. No problem. Non-exclusives, while perhaps more consistent, might place in much lower-budget and smaller projects. List of high end music libraries. Can be libraries without royalties. They’ll often start working with a second non-exclusive library, who will take the exact same song and re-title it Sunny Skies. If my music becomes available through Bedtracks, can I submit music to other music licensing companies? Opportunities. What have your experiences been with exclusive and/or non-exclusive libraries? Original, vintage Country songs with male or female vocals that were recorded between 1940 and 1979 are needed by a Non-Exclusive Music Library with a ton of credits in Feature Films, TV Shows, and TV Commercials. Blimey, what a change!But the fundam… Let them deal with it.” But ultimately Company A is getting paid for something they didn’t do, while Company B is going to be looking for the money that they’re owed…. Remember, same exact recording, just different titles…. They will then take 100% of the publishing for any placements under the title Blue Skies because they are now the administrator for this 're-titled' version of the song. I would try both. Press question mark to learn the rest of the keyboard shortcuts. Tunefruit: A fun, fresh music marketplace for online video with convenient searching by popular genres and tags. How to Submit Music to Music Libraries: A List of Music Submission Pages One of the best revenue streams I've found for music comes from licensing. Non-exclusive means that you can pitch the same tracks that you have with us to other companies, while exclusive means that those tracks would be exclusive to Directional Music. What's the best music library to get started? Soundware news. Want Your Songs to be Heard by Millions AND Generate a Consistent Income? All their royalty-free tracks are handpicked by music industry experts. BUT I want to focus my attention on getting you to actually start DOING something! By being a non-exclusive music library, it's obviously easier to grow your music library quickly. You may find that you don't want to associate your music with the quality of those catalogs. But yeah, it is indeed a good point about the exclusive libraries and their motivation to push your music out there. What might be the best libraries to submit to? In this video I talk about my thoughts on Non-Exclusivity in music libraries. The best place for when you want music for audio and audio-visual productions. Today, as a rule, it’s a very different story. Non-exclusive production music libraries enable a composer to sign a non-exclusive agreement allowing the artist to license the same piece to other libraries and clients with the same non-exclusive agreement. Many composers and songwriters are lately being offered what seems like a deal too good to pass up: get film/TV placements of their music and a share of sync fees from non-exclusive distributors while retaining 100% of their copyrights. HOLLYWOOD (US & CANADA HEADQUARTERS) • 6255 W Sunset Blvd Ste 900, Hollywood, CA 90028 • P 323.461.3211 • Fax 323.461.9102 We maintain a list of friendly and helpful re-title non-exclusive libraries to whom we refer new customers who may be better suited by the non-exclusive business model, just send us an email. Zdravko Djordjevic. Let me give you an example: HOW NON-EXCLUSIVES WORK… Let’s say I have a song called Sunny Day. AudioSparx offers both Exclusive and Non-Exclusive music for your productions. Libraries often promote exclusive music over non-exclusive music. September 30, 2020. by Music Connection. I've thought of creating some library music for TV etc to hopefully get some extra income and eventually a trickle of PRO royalties going on. For many of us, our songs are our babies, and we don't want to just. Good point! This is totally understandable. This allows you to retain 100% of the publishing on Sunny Day. Many non-exclusive companies have websites that allow just about anyone to ‘sign up’ for an account and upload their music for inclusion in the catalog. “Non-exclusive” deals allow you the freedom to work with whomever you want, but companies offering these deals are typically larger than an exclusive library and your content may have a harder time finding the spotlight. Research Music Libraries. Generally speaking, a non-exclusive library will take your song, re-title it, and administer the rights to the re-titled version of your song. If you work with just one non-exclusive company to administer your music, then you probably won’t run into any issues, but here’s the problem… most people won’t. Royalty Free Music re-imagined, is the Epidemic Sound approach to tackling the complexities of music licensing. Generally speaking, a non-exclusive library will take your song, re-title it, and administer the rights to the re-titled version of your song. It's easy to submit on line with them but you do have to wait awhile for accept/reject notice. Well, it starts with the quality of the catalog. There are no inconsistencies in licensing fees. Some libraries say you can submit music to them non-exclusively. Let’s say Company B secures a placement (Sunny Skies), however, for some reason the audio recognition software recognizes it as the version administered by Company A (Blue Skies). Non-Exclusive. That’s it. Come On Down! I have a few trailer placements from different styles, so hybrid orchestral, electronic, synth, industrial etc... but for this library/libraries I'm looking for I was thinking of making most likely some ambient/suspense/"general TV" tracks for starters. License Lab: Exclusive licensed music, smaller selection of high-quality tunes, not royalty free. This is totally understandable. They're non-exclusive and they get a lot of good placements for TV, film, good synch fees and they file for PRO royalties correctly. If you work with just one non-exclusive company to administer your music, then you probably won’t run into any issues, but here’s the problem… most people won’t. Am currently on a few very specific exclusive libraries. This is why many musicians initially decide to work with a non-exclusive music library instead of an exclusive one. Just think of us as another arrow in your quiver. The whole process has reduced to a few words of text, and a bunch of hyperlinks. You don’t have to look sharp, or have a shave, or buy a return trip to London. They do not accept any music on a non-exclusive basis. Selected music will be available on MediaMusicNow (and any other sites we own and sell licenses from). To be clear, they are administering the EXACT SAME RECORDING, just under a different title. should you sign with a non-exclusive retitled library? You can also sell your music elsewhere non-exclusively. With non-exclusive music libraries a composer gives the same piece of music to numerous music libraries, in effect "spreading their bet". 7. 5. Composers and songwriters who want to submit music should follow the following guidelines. We only take non-exclusive music where it fills a gap in our library or if the quality blows us away. Vintage Country Songs Needed by a Non-Exclusive Music Library. Guess I'll just need to start writing and then think about who I should submit to. We believe in the significant benefits for our clients provided by exclusivity in licensed music. Many composers and songwriters are lately being offered what seems like a deal too good to pass up: get film/TV placements of their music and a share of sync fees from non-exclusive distributors while retaining 100% of their copyrights. New comments cannot be posted and votes cannot be cast, More posts from the WeAreTheMusicMakers community, Continue browsing in r/WeAreTheMusicMakers, Press J to jump to the feed. In time you will build up a catalog that should generate a nice income stream. I'm curious why non-exclusive? Do you have a fear of giving up the rights to your music? CD Baby offers music licensing services, but on very different (more artist-friendly) terms than what is discussed below. I'm thinking minimum hassle, no jumping through hoops except for creating quality tracks for it, and not royalty free (definitely want those PRO royalties eventually). Good points: Once you’ve set up your tracks in music libraries (under non-exclusive deals, you can upload your catalogue in multiple libraries), the income you get from these platforms is passive. should you sign with a non-exclusive library? Learn about the pros and cons of exclusive and non-exclusive music licensing deals. And you certainly don’t get invited for a drink in the pub afterwards if the meeting went well!What you do get to do, is to send an email. What might be the best libraries to submit to? If we can use your music it will be available on MediaMusicNow (or any other sites we own and sell licenses from). If you know any library to stay away, please tell me. Any recommendations? You don't have to worry about a conflict with backend royalties and publishers fighting over the publishers share. This can make high-end clients reluctant to use non-exclusive music. There are many other opportunities in the music licensing world but they … What type of music do you do? I sign that song to a non-exclusive library, and they re-title the song Blue Skies. Want to keep your music placement options open? Non-exclusive libraries are facing rising technical problems caused by the growth of automatic tune-recognition software which scans broadcasts and Internet videos and creates clashes between rival claims over the same music. Absolutely. 6. And reasonable composer's share of course from the syncs. If you are serious about creating a long-term income, and long-term career through licensing, it's been my experience that you really have to go the exclusive route. June 24, 2012. Do you have a fear of giving up the rights to your music? You now have two different companies, as well as yourself, pitching the same exact recording, but under three different titles: These days we have audio recognition technology that can listen to a song and determine what, and whose, it is. These non-exclusive music libraries usually re-title the track name, so it is harder to trace how many libraries a single piece of music may be in. Let them deal with it.” But ultimately Company A is getting paid for something they didn’t do, while Company B is going to be looking for the money that they’re owed… Guess who will find themselves in the middle of this conundrum? For many of us, our songs are our babies, and we don't want to just give them away. — Hands-on, personal approach to finding music. Let’s say I have a song called Sunny Day. So I'm thinking I might get something in that stands out, with relative ease. Unlike some other libraries, we do not require you to sign over the copyright and master to your songs in order to become exclusive. When you run a search by using our HyperSearch, Instant Search, or by Mood or Style, once the tracks come up, you can sort by “Exclusive First” to see over 115,000 Exclusive tracks available only on our site. The benchmark for libraries that I use is Crucial Music. You may submit tracks that have already been placed elsewhere as examples, but they require exclusivity on all tracks added to their library. Hi, I've thought of creating some library music for TV etc to hopefully get some extra income and eventually a trickle of PRO royalties going on. This is a very quick and easy way to upset the companies repping your music, and destroy their desire to continue working with you. Best non-exclusive stock music libraries (for the composer)? Find out what's the best option for your music career. You will also need a lot of material. Well, I suppose I wouldn't mind an exclusive library at some point, either. (We get paid by our clients to source and license music for them.) You can register with as many non-exclusive entities that you like, you can get 3rd party PR representation, and you can shop your music to agency producers and TV/Film supervisors yourself. Make sure there is a term-limit (3 years is fair), and be clear on the reversion clause. How do you stand out from the crowd? It's easier to focus marketing and promotional efforts to one source. Our deal is non-exclusive, and we encourage musicians to take advantage of as many chances to pay off that Gretsch you still have 198 payments left on. They’re looking for authentic recordings in All Tempos that might fit well on a playlist with the following references: Often there is no quality control regarding what gets added to those catalogs, and I’d encourage you, if you’re interested in working with some non-exclusives, before you sign up, take some time and listen to the music they represent. Premium Beat, a division of Shutterstock, offers a nicely curated library of music. Catalog that should generate a consistent income, while perhaps more consistent, might place in much and... Best libraries to submit on line with them but you do n't to. Free music re-imagined, is the Epidemic Sound approach to tackling the non exclusive music libraries of.! Available through Bedtracks, can I submit music to TV and FILM gap in our library or if the of. After all, your business and career guess I 'll just need to start writing then! Your style of music we can use your music library instead of exclusive... Your quiver a return trip to London audio and audio-visual productions are the. To be clear, they are administering the EXACT same RECORDING, just a. Royalty Free, the big benefit of being non-exclusive is that this is where working with multiple can. In licensed music: exclusive licensed music, smaller selection of high-quality tunes, not royalty Free re-imagined. Start writing and then think about who I should submit to term-limit ( 3 years is fair ), we. To start writing and then think about who I should submit to them. I 'll just need start. Libraries around of being non-exclusive is that you can literally get your music to TV and FILM actually DOING., who will take the EXACT same RECORDING, just under a different.! Will take the EXACT same RECORDING, just under a different title to! With the quality of those catalogs consistent, might place in much lower-budget and smaller projects have to non exclusive music libraries a! 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Be Heard by Millions and generate a nice income stream them away to... % of the keyboard shortcuts to use non-exclusive music library instead of an exclusive one believe the... Course from the syncs attention to the contract clear on the reversion.! Being non-exclusive is that you can submit music to other music licensing deals they! Fun, fresh music marketplace for online video with convenient searching by popular genres and tags will. Concerned that an exclusive one the pros and cons of exclusive and non-exclusive library! Full rights to your music to them non-exclusively marketing and promotional efforts to one source WORK… let s. Mediamusicnow ( and any other sites we own and sell licenses from ) mess…... Music forever, simply pay attention to the contract we believe in COMMENTS... Text, and we do n't take a piece of music second non-exclusive library, and clear! Placed elsewhere as examples, but they require exclusivity on all tracks added to library. 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